THE SYMBIOSIS OF TAO AND ART: THEORETICAL RECONSTRUCTION OF TAOIST PHILOSOPHY IN CONTEMPORARY ART
DOI:
https://doi.org/10.55197/qjssh.v6i5.841Keywords:
Taoist philosophy, Taoist aesthetics, Wu Wei, Taoism, contemporary art, Chinese paintingAbstract
This study is dedicated to examining the practical applicability of Taoist thought in contemporary art, systematically sorting out the core concepts of its theoretical system that have practical guidance significance, and exploring the paths of creative transformation of these concepts in a variety of art mediums. Using a combination of iconographic interpretation, documentary evidence, and cross-cultural comparisons, the thesis focuses on the visual transformation mechanism of Taoist core propositions, such as the concepts of nature, life, and the universe, in contemporary art practice. The thesis firstly constructs a theoretical framework of Taoist aesthetics, then selects representative traditional landscape paintings as research examples, and deeply interprets the creative concepts of two ancient artists who were deeply influenced by Taoist philosophy; based on this, the thesis focuses on the creative use of Taoist elements by contemporary Chinese artists and draws a parallel with the relevant practices in the international art world. Through the dual perspectives of temporal evolution and co-temporal difference, this study not only demonstrates the universal value of Taoist thought beyond time and space but also shows how contemporary art creations can respond to the ecological crisis and spiritual dilemmas faced by modern society by activating the Taoist wisdom, the philosophical discourse of “Taoism follows nature” in traditional painting theory is given new connotations and transformed into a new art form that is both contemporary and contemporary. The philosophical discourse of “Taoism and Nature” in traditional painting theory is given a new connotation of the times, transformed into an artistic language with both critical consciousness and aesthetic tension, and ultimately realizes the organic fusion of traditional philosophy and modern visual expression in the context of globalized art.
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Copyright (c) 2025 ZIFAN YANG, MOHD FUAD MD ARIF, YUNLONG WANG
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