OVERVIEW OF STREET PHOTOGRAPHER OBJECTIVES FOR THE PHOTOJOURNALISM GENRE

Authors

  • LAILI MARDZIAH TAJUDDIN Visual Art Department, Universiti Selangor, Selangor, Malaysia.
  • ANDRIALIS ABD RAHMAN College of Creative Arts, Universiti Teknologi MARA, Selangor, Malaysia.
  • NOR AZIYANA ABD RAHMAN College of Creative Arts, Universiti Teknologi MARA, Selangor, Malaysia.
  • ROSLIZA AHMAD College of Creative Arts, Universiti Teknologi MARA, Selangor, Malaysia.

DOI:

https://doi.org/10.55197/qjssh.v5i6.495

Keywords:

street photography, street photography approach, street photography direction, street photography ethics

Abstract

This study is a review of borderless street photography, aiming to explore the objectives behind each captured subject and the storytelling conveyed through the recorded and displayed images. The methodology used combines both contemporary studies and literature references. Several images from current street photographers were selected for analysis, linking the purpose behind the captures with insights from previous literature. Interviews with photographers were also conducted to further strengthen the data obtained. The analysis revealed that the purpose of street photography, whether direct or indirect, holds significant value. Originally, street photographers pursued this as a hobby, capturing moments of human movement while applying artistic techniques with contemporary photography technology. However, these photographs unintentionally became valuable historical evidence and documentation, shedding light on the economic development of certain areas depicted. In addition to economic growth, these images also reflect cultural absorption, societal norms, and lifestyle changes over time, as seen through the continuous documentation by photographers. Behind the creation of these images, there exists a social interaction and communication between the subject and the photographer, with ethical considerations necessary to maintain human dignity and values. Moreover, photographers still must consider technical aspects such as monitoring lighting, whether artificial or natural, to achieve the best shot.

References

Bátori, Z. (2018): The philosophy of photography. From ontological and epistemic status to interpretation. – Laocoonte: Revista de Estética y Teoría de las Artes 5p.

Bordeniuk, С., Gavran, І., Hrymalska, В. (2021): Features of Street photography and its similarities with cinematography. – Bulletin of the Kyiv National University of Culture and Arts. Series: Audiovisual art and production 4(2): 278-285.

Duhnkrack, J. (2020): The art of regulating the arts-artistic street photography and the limits of EU regulation. – Journal of Intellectual Property Law & Practice 15(1): 66-69.

Dunmin, S.H.I. (2017): The Potential Implications of Contemporary Use of Mobile/Tablet Devices in Street Photography, Especially for the Representation of People in the City. – Humanities and Social Sciences 5(2): 102-107.

Hadley, J. (2022): Street Photography Ethics. – Ethical Theory and Moral Practice 25(4): 529-540.

Kai, Y. (2019): The Predicament and the Reflexive Turn. – Review of Japanese Culture and Society 31: 99-117.

Macartney, M. (2021): Go Do Street Photography. – Photographic Society of America 87(9): 5p.

Qutieshat, E. (2019): The Civil Liability of Street Shooting and Photography Under the Jordanian Civil Law. – Journal of Law, Policy and Globalization 91: 11p.

Matar Hasan Alharbi, W. (2024): Actions speak louder than words: modifications of the applied academic books and their reflections on students’ academic success, academic enjoyment, and academic resilience. – BMC Psychology 12(1): 9p.

Schwartz, S. (2021): Street Photography Reframed. – In Arts 10(2): 12p.

Scott, C. (2020): Street Photography: From Brassai to Cartier-Bresson. – Routledge 248p.

Starrett, M. (2020): Street photography and the flaneuse. – Visual Communication Quarterly 27(3): 172-178.

Suciu, S. (2022): Ethical dimensions of visual communication through photography. – Professional Communication and Translation Studies 5p.

Trivundza, I. T. (2019): Photographic Flaneur, Street Photography, and Imagi (ni) ng the City. – International Journal of Communication 18p.

Wilson, K. (2018): TAKING IT TO THE STREET: The essence of street photography is its raw, unfiltered, unstaged realism. The key to this is mastering your sense of timing and not being embarrassed to approach potential subjects. – Syon Geographical 90(3): 4p.

Witt, A. (2019): The Evicted. – In Arts 8(3): 31p.

Downloads

Published

2024-12-30

How to Cite

TAJUDDIN, L. M., RAHMAN, A. A., RAHMAN, N. A. A., & AHMAD, R. (2024). OVERVIEW OF STREET PHOTOGRAPHER OBJECTIVES FOR THE PHOTOJOURNALISM GENRE. Quantum Journal of Social Sciences and Humanities, 5(6), 212–220. https://doi.org/10.55197/qjssh.v5i6.495

Issue

Section

Articles